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"Sweet Lorraine" is a song by the band Uriah Heep, first released on the album The Magician's Birthday. It was written by Mick Box, Gary Thain and David Byron.
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We had that respect for each other which perhaps is only felt by people on the same side of the barricades, listening to the accumulating thunder of the hooves of horses and the heads of tanks. The first time I ever saw Lorraine was at the Actors' Studio, in the winter of '' She was there as an observer of the Workshop Production of Giovanni's Room. She sat way up in the bleachers, taking on some of the biggest names in the American theater because she had liked the play and they, in the main, hadn't.

I was enormously grateful to her, she seemed to speak for me; and afterward she talked to me with a gentleness and generosity never to be forgotten. A small, shy, determined person, with that strength dictated by absolutely impersonal ambition: she was not trying to "make it" - she was trying to keep the faith. We really met, however, in Philadelphia, in , when A Raisin in the Sun was at the beginning of its amazing career.

Much has been written about this play; I personally feel that it will demand a far less guilty and constricted people than the present-day Americans to be able to assess it at all; as an historical achievement, anyway, no one can gainsay its importance. What is relevant here is that I had never in my life seen so many black people in the theater. And the reason was that never in the history of the American theater had so much of the truth of black people's lives been seen on the stage. Black people ignored the theater because the theater had always ignored them.

But, in Raisin, black people recognized that house and all the people in it - the mother, the son, the daughter, and the daughter-in-law - and supplied the play with an interpretative element which could not be present in the minds of white people: a kind of claustrophobic terror, created not only by their knowledge of the streets. And when the curtain came down, Lorraine and I found ourselves in the backstage alley, where she was immediately mobbed.

I produced a pen and Lorraine handed me her handbag and began signing autographs. I stood there and watched. I watched the people, who loved Lorraine for what she had brought to them; and watched Lorraine, who loved the people for what they brought to her. It was not, for her, a matter of being admired. She was being corroborated and confirmed.

She was wise enough and honest enough to recognize that black American artists are in a very special case. One is not merely an artist and one is not judged merely as an artist: the black people crowding around Lorraine, whether or not they considered her an artist, assuredly considered her a witness. This country's concept of art and artists has the effect, scarcely worth mentioning by now, of isolating the artist from the people.

One can see the effect of this in the irrelevance of so much of the work produced by celebrated white artists; but the effect of this isolation on a black artist is absolutely fatal. He is, already, as a black American citizen, isolated from most of his white countrymen. At the crucial hour, he can hardly look to his artistic peers for help, for they do not know enough about him to be able to correct him.

To continue to grow, to remain in touch with himself, he needs the support of that community from which, however, all of the pressures of American life incessantly conspire to remove him.

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Baldwin, James - Sweet Lorraine

And when he is effectively removed, he falls silent - and the people have lost another hope. Much of the strain under which Lorraine worked was produced by her knowledge of this reality, and her determined refusal to be destroyed by it. She was a very young woman, with an overpowering vision, and fame had come to her early - she must certainly have wished, often enough, that fame had seen fit to drag its feet a.

For fame and recognition are not synonyms, especially not here, and her fame was to cause her to be criticized very harshly, very loudly, and very often by both black and white people who were unable to believe, apparently, that a really serious intention could be contained in so glamorous a frame.

SISTER, Skyler Lutes, Sweet Lorraine

She took it all with a kind of astringent good humor, refusing, for example, even to consider defending herself when she was being accused of being a "slum lord" because of her family's real-estate holdings in Chicago. I called her during that time, and all she said - with a wry laugh - was, "My God, Jimmy, do you realize you're only the second person who's called me today? Apartment, 4 Bedrooms - In-Room Coffee. View photos. Free parking Free WiFi.

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Main amenities Free WiFi and free parking. Email Share. Add See Your Properties. Book this hotel and collect nights after your stay. More great choices. See all properties in Big Bear Lake. To make arrangements for check-in please contact the property at least 72 hours before arrival using the information on the booking confirmation. Transportation Parking Free self parking Check location. In the apartment Home comforts. Balcony or patio Fireplace Separate dining area Separate living room Separate sitting area.

Private bathroom Shower only Hair dryer. Pets Pets are not allowed. Outdoors Sit back and relax Barbecue. Activities Horseback riding Skiing. Miscellaneous Smoke-free property Heating Non-smoking rooms. What topic s do you want to know more about? Hairdryer Bathroom features shower, bathtub, etc.

Nat King Cole - Sweet Lorraine

Policies Pet policies Cancellation policies Couples policies are unmarried individuals allowed? Other Enter your feedback. Thanks for your help! Your opinion helps us figure out what kinds of info we should ask properties for. Back to property. Missing some info? House Rules The Sweet Lorraine takes special requests — add in the next step! Cards accepted at this property The Sweet Lorraine accepts these cards and reserves the right to temporarily hold an amount prior to arrival.


  • Suspense Magazine August 2011.
  • Bertrand ou Les chemins de la Terre Sainte - 2e partie (Amaury - Bertrand - Tobias t. 4) (French Edition).
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  • Sweet Lorraine Gallery — TI Art Studios.

Smoking Smoking is not allowed. The Fine Print.


  • Sweet Lorraine's B & B.
  • Demographic and Programmatic Consequences of Contraceptive Innovations: Conference Proceedings (Reproductive Biology).
  • SWEET LORRAINE'S Careers and Employment?
  • Afrique oser une nouvelle voie (Afrique liberté) (French Edition)?
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  • Knit So Fine: Designs with Skinny Yarn.

Guests will receive a rental agreement, which must be signed and returned directly to the property prior to arrival. If the agreement is not received, the guest should contact the property management company at the number on the booking confirmation. Please note that only registered guests are allowed at the property.

Guests shall abide by the property's policy and shall not engage in illegal activity. Quiet hours are from to Guests must be 21 years or older to check in without a parent or official guardian. Guests are liable for any damage to the property that occurs during their stay. This property does not accommodate bachelor ette or similar parties.

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